Today we had a visit from a professional screenwriter, Steve Coombes. Steve has been a pro for over 25 years starting out in the business since 1989 but has wrote screenplays since he was young as 7years old.
Steve told us about him and what he has done. I found out he has wrote screenplays for many TV programmes such as Newtricks and Hustle. To have a professional screenwriter visit us is amazing, he is only visiting us for a few workshops so I will make sure I attend each one and take notes on what he has to say, given that he knows a lot more than me!
Today was an overview of what he has done, what is important in the industry and what we need to do to make sure our scripts work for the moving image. Steve gave us a few interesting facts and statistics like not many scripts go into production. A great fact he told us was that there was a screen writer on the list of top hollywood screenwriters for 20 years and in that time his screen plays never went actually went into production!
moments:
Steve went on to tell us about moments in screen plays, moments that we will remember for a long time. It is important to have moments in a screen play as it is the tool that the audience will come out of a cinema and talk to their friends about, they will talk to people and recommend the film. This means more money for the studio etc, but interestingly enough these moments can get cut from the film as the studio see around 17-18 draft scripts of the screen play and soon get bored and fed up of the 'moment'. It is the moment that makes the film great because it is something the audience can remember about. Steve mentioned that it is best to get 5 or 6 moments in the script.
Draft scripts:
I learn't that screen writers can write up to 16 or 17 draft scripts for a screen play that is going into production, aiming to be successful with the studio executives. Each month a screen writer can write a draft script, but when in production a script needs to be made every 2 or 3 week, meaning 30 pages a week for a hour screen play. working out around 5 pages a day! Along with scripts a script writer needs to make a bible which is like a folder full of details like character profiles, draft scripts and treatment. Treatment is around 5 or 6 pages.
Payment:
Steve was talking to us about how incredibly difficult it is being a screen writer as not much attention is drawn to them and they are not as heard of unlike directors and actors etc. Screen writers have much more work to do as they are the brains behind a screen play, but they don't earn much money compared to other people involved. In a big budget production like a feature film maybe 1% or 2% of the money is actually gone to the screen writers. Usually the main amount a screen writer can get is between £50-60k, for each script. But this can change as the contract is for the script in production and if production is canceled or delayed it has impact on the screenwriters. A screen writer can get half of that amount, none at all if the writer is sacked.
Structure:
Steve finished off today talking briefly about how we need to structure our stories, he will talk more on Wednesday but it has already influenced my work. Steve mentioned about how it is always best to get straight to the main part in a screen play, especially when ours is only 10page long. My idea was a build up to the meeting but after hearing Steve I am changing my structure slightly, but keeping the idea same. I don't want to have too much of a beginning or an ending. Steve said about 'acts' and how a screen play will have acts to structure each part of the story each act having a beginning, middle and end. Usually on TV in an hour programme it will have 3 acts, to split up the story for advertisement breaks. Before an advert break the act will finish on a big moment, to hook up the audience to continue watching when it returns after. it will have some kind of plot twist, having the audience wanting to know what happens next. This is a great tool. Films will have 5 acts with 3 being the 'climax' and main story plot throughout.
Influence:
Steve has influenced me already with my story. I want to make sure I have it in a reasonable sequence as we only have 10 pages. With my screen writing Steve has made me think about how I should tell the story. I.E Timescale, time-lapse, flash backs etc. After hearing Steve talk about time scales it has made me think about my screen writing and how to tell my story. It would be difficult to tell the story over a time scale of years, but it is possible to use flash backs and make it as months and days rather than the usually time of minutes. With my idea I am considering having a time scale of a few days rather than my initial idea of just a day or a few hours. I was planning on using a voice-over just as Steve mentioned however, with this approach I must be careful not to say too much. Steve told us a very inspiring quote "To never say it, but to show it". Meaning to always show the story as much as possible and let the audience work out what is happening, rather than telling them. Telling the audience what is happening is only going to make them less interested. With this in mind, I am thinking a lot on whether to use a V/O, this is something I will come back to later once I finalise my idea. Steve talked to us about single strand and multiple strand narratives. A story that can just have a simple single storyline to focus on or multiple story's linked up. Going back to the brief and our limitations on what we can do, I will be sticking to a single strand narrative. Multiple would be difficult to achieve. Lastly Steve told us that we can't write a script if we don't know how it will end, always know the ending! This is the most crucial point said today, I don't have a chosen ending yet. I have a few different endings that I have thought off. I have not decided on how to end my story just yet. But it is clear that I won't be able to write my story as I don't have a complete ending, once I do I can then write.
We will see Steve again and learn more on Wednesday. Looking forward to that!